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A Hollywood treatment for Manchester?

Monday, September 28, 2009 | Posted by: Fiona Cullinan
Categories: Media sector | Tags: Alex Connock, entrepreneurs, media, diary, BBC, Manchester, Media City, creativity, Diary, Entrepreneur’s

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Alex Connock, CEO, Ten Alps: Manchester doesn’t just have a spectacular new Media City.  It has a new branding too – ‘original modern.’ 

Nice catchphrase: but how to deliver?

I was chatting to an old friend yesterday, who wrote and produced the Borat and Bruno movies with Sacha Baron Cohen.

One writes in London and the other in LA, and they collaborate on iChat.  On the line is a third person who just notes down the good ideas.  That, as a model of how to do creativity, is original and modern.

It struck a chord because yesterday I got a copy of the new slim volume from NESTA setting the direction of Manchester as ‘Original Modern’.

A great phrase – but how can Manchester deliver?  How can a whole city be like those film guys with their ichat and their global hits? 

That really matters to Media City – about which I am embarrassingly enthusiastic.  Pretty soon we won’t be discussing buildings, connectivity and bandwidth any more.  We’ll be asking: what’s Media City going to create for decades to come, and how is it going to deliver on ‘original modern’?

To answer that, look to Hollywood, the original ‘original modern’.

The early Hollywood movies were made at the turn of the 20th century in the barn of a small ranch, roughly where Sunset Boulevard is now. Extras were real cowboys, and so tough that the actors were seriously terrified that they would be killed in the gunfights. And even 40 years later, innovation in Hollywood was still done anywhere but in grand buildings. 

Orson Welles said: “Hollywood is the only industry, even taking in soup companies, which does not have laboratories for the purpose of experimentation.” Walt Disney said Mickey Mouse popped out of his mind onto a drawing pad on a train ride at a point when his business career was more or less in ruins.

So they didn’t build Hollywood by building buildings. It was about individual creativity. State planning didn’t create the movies, it was the success of movies that necessitated the state planning. 

Now we need that creative primacy in Manchester. And to stimulate it, we also need another thing: money. Risk money actually – venture capital.

A lot of public cash has gone into putting the BBC into Media City. It’s a fantastic place.  But it won’t be the true asset it needs to be unless it has much more creativity than just the BBC.

New ventures need the same level of backing from the public sector and private venture capital as the BBC got (private venture capital is very weak in Manchester relative to London, let alone Silicon Valley, which has 40% of all the world’s venture capital money). Light that fuse and you’ll see some original modernity.

Alex Connock blogs about the media sector for Grant Thornton. You can read his previous posts here

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* Let’s all play monkey tennis! - As the BBC and other companies move into MediaCityUK in Manchester, finding the ideas for content to fill those cavernous offices and digital pipes will be more critical than ever.

Reader Comments (2)

Alex Connock said:

Thanks for the comment.  The infrastructure, and whatever public/private funding went into it, has been a great incentive to bring in major organisations like the BBC and ITV - and that’s transformative for Manchester as it stands.  My hope is that if we could get the same level of funding, from whichever source, into actual content creation businesses, the whole Manchester project (ie including Sharp, Oxford Road corridor and so forth) could seriously lift off and create a content powerhouse of global impact.  I wrote this piece back in 2009 but I would like to think it’s still holding true today.

Added Thursday, June 09, 2011 at 04:06:02

Iain Bennett said:

Alex, like you I’m embarrassingly and for a little while longer professionally enthusiastic about MediaCityUK. However, it’s misleading to suggest that a lot of public money went into attracting the BBC. I had this out with Steve Hewlett, so you’re in good company, but the public money went into infrastructure - the trams, buses, bridges and road signs to help the creative workers get there - and not into building studios, much less into the pockets of the BBC. Unfortunately, history will remain mute on our ambitions to support development of content through the media enterprise centre as the abolition of the RDAs stymied any potential for continuing investment along the lines developed through RAF. The North West Find survives us, however ...

Added Wednesday, June 08, 2011 at 03:06:30

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